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Destroy Language

by Ian Downey Is Famous

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1.
I beat up Nietzsche And I whupped his ass And I got all radical and shit On Horkheimer and Habermas Yeah I beat 'em down And I went upstairs And I caught 'em all Quite unawares And I saw the Man And the master plan And the secret star And the mojo hand Yeah I saw it Yeah and I saw it Yeah I saw it Yeah I saw it Yeah Michel Foucault, you're a dead man Jacques Derrida, you're dead Francois Lyotard, dead Jean Baudrillard, dead Gilles Deleuze, Felix Guattari, I'm kicking every last one of you motherfuckers to the curb Well I beat up Nietzsche And I whupped his ass And I got all radical and shit On Horkheimer and Habermas Yeah I saw it Yeah I saw it Yeah I saw it You're all under arrest
2.
It wasn't so much a political movement as the description of a dry itching that started in his genitals and ended in his arms. And what great arms they were: Hawk surface-to-air missiles, AK-47 assault rifles, M-16 machine guns, C4 polyisobutylene and freedom wait that's not how it goes and equality well that's not how it goes and redemption that's not how it goes and we all come through but that's not how it goes, it goes: When the guns come out of their closets When bullets can no longer sleep When knives can't keep their clothes on Deep, deep in the city streets Like a molotov soaked in butter Slipped in your drink at your ny-quil party I come not to speak to your souls I come to speak to your bodies 10,000 years are gonna take their toll 10,000 years on their flesh dole We can take back what they stole Now bodies are gonna take control and Kick out the soul Kick out the soul Kick out the soul Kick out the soul God god now oh kick 'em out go Ladies and gentlemen, brothers and sisters, for 10,000 years you've been accused, accursed and admonished by the souls - pale imitations, invaders from inner space who come to operate us bodies like robots and run reality like a video game. Well I say it's time to take the power back. I say it's time to take the souls, all their books, all their ideas, put them in the middle of the town square and burn them down. Destroy language. The pile of bodies will rise like a new tower by which to storm heaven for freedom that's not how it goes and liberty that's not how it goes and justice that's not how it goes and a still small voice that's not how it goes, it goes: When the guns come out of their closets When bullets can no longer sleep When knives can't keep their clothes on Deep, deep in the city streets Like a molotov soaked in butter Slipped in your drink at your ny-quil party I come not to speak to your souls I come to speak to your bodies 10,000 years are gonna take their toll 10,000 years on their flesh dole We can take back what they stole Now bodies are gonna take control and Kick out the soul Kick out the soul Kick out the soul Kick out the soul God god now oh kick 'em out go
3.
Drive my car baby What did I eat It's out on the sidewalk It's into the street It's in my mouth baby It's starting to bleed It's in my fingers Where I feed And on the air the music stops between notes fractured into decibels, The innocence howls like light Only when you breathe the apocalypse in flesh tones You lose yourself you swallow and swim down Can you see what crawls up in In the back of your eyes baby What a mess It's in my hair now About to confess While some gods hear the adoring call And smash their angels on the walls And on the air the people slit their throats, fat, in rhythm as the great ad breaks the infinite now primetime I'd watch it but the apocalypse is the ultimate entertainment The apocalypse has been done so many times When you realize that this moment is the same one that we lost Written on a paper that you thought was on a train
4.
5.
Listen little children With your hands in your pockets You'll be running around sideways You'll be talking backwards With the hand of glory With your riot of natures Mixed with wide emotions You'll be looking wrong for days Now get possessed Greedy little children With your running fingers You'll be talking sideways You'll be running around backwards Singing hallelujah with the holy rollers With the good intentions as they slip into the fog Now get possessed Slurpy whistle slipping light on fingers Sliding all around backwards Creeping through your shimmy yaya white electric Dancing nice and easy Pleasing all your vectors 'Til the circuits all connect Now get possessed
6.
Work 02:17
Work is too big Time is too slow Filled up with days Ready to blow Into business Into new facts Negotiate a Brand new social contract Driving around Empty the tank Pour another Into the bank Take a number Bringing it home Store in on your Brand new jailbreaked iphone Little Hare to foreign tower Don't let 100 flowers bloom Keep in contact (100) You won't see again (pages) Keeping track of (typed out) Your investments (collate) Your new client (Ronin) Enver Hoxha (asset) Brand new icepick (insurance) Williams-Sonoma
7.
You go to every show Your macho haircut blows Young boy so punk rock You should be sucking cock You should be gayer You have a stupid life A husband and a wife Sit in your recliner Penis in vagina You should be gayer
8.
Now you're older and wiser But I will never be And the flag you hang for freedom Never meant for me You say you'll change the system from the inside But you know you are a liar Because the outside of the system doesn't exist So there can't be an inside either Now raise the salute with the gun in your hand Aim for your temple and fire Because the revolution is dead I cut off its head I nibbled at its ear And it found a new career To be a part per billion Dissolved into the solution Oh well the revolution is dead Long live the revolution So we'll turn the screw of revolution And we'll turn it upside down We'll turn all your sad smiles Into our happy frowns The past becomes the future As the winners lose And we make up everything true But you know it would have worked If it hadn't been for you Because the revolution is dead I cut off its head I nibbled at its ear And it found a new career And I'll never collaborate in any final solution The revolution is dead Long live the revolution Well the revolution is dead I cut off its head I nibbled at its ear And it found a new career Because I'd rather be part of the problem than part of the solution The revolution is dead Long live the revolution
9.
Blocking 05:23
Why do I make all these movements? They flash and splinter They don't make sense They grind and divide They shift and sing They don't produce Fertile offspring Where do I put my hands and feet? You look at me, I freeze like fate Why are we here? Where did we go? When did we leave? Is it too late? It's over Going on Making conversation The image center A worn-out scene Now that my soul Is on TV Born in this body I'm on the spot Just like a picture I stop It's over Going on Making conversation
10.
Mammon 06:33
There's only one star In the sudden tonight And it's Mammon That's where I go And it's how I know It's Mammon For as the strong deceive Still there's some that believe In demons And there's only one star And it's where you are And it's Mammon And it's Mammon that sits in your seat On the chariot And it's Mammon that stains all your sheets When you carry it You must marry it 'Cause it's Mammon From this debt I'm in Even the whispering wind Spells Mammon Because there's only one God served In an American Church And it's Mammon And it's Mammon that knows all your tricks and schemes Because it's Mammon that stands all fixed in your dreams Darling Mammon My debutante, do everything you want for Mammon Just see if I don't do everything I won't for Mammon
11.
Virtu Part 1 06:18
How does it sound? How does it taste? How does it feel when I blow it all over your face? They are interested They are so vested They are invested They are interested in you Come on and join the party Come on and join the party Omerta I am the slave of no one Waiting in the labyrinth Waiting in the desert Waiting for no one to come
12.
Virtu Part 2 03:23
I will walk And I'll try But I can't follow My ego The ego is an angel And angels are the heralds of the kingdom of madness

about

"Like a post-punk tantrum teetering on a sonic attack, full of accusations and insight."
-Frank De Blase,
CITY Newspaper


I mean, look in your basement. Look at all those “rock” discs you bought, or stole, or found, or made, over decades. A swampland of tired riffs, pounding beats, blood, thunder, flatulence: full of sound and fury, signifying not at all. When was the last time you played any of that shit? I mean, played it with no irony, no gloss of nostalgia?


Here. Take this. It’s the new Ian Downey is Famous release, Destroy Language. I’ve been driving around Rochester, NY, just listening to it...

When I drive through the neighborhood to my suburban Shangri-la, it reminds me that I don’t have a clue what I’m doing or where I’m going, reminds me how easily clapboards burn. I can hear them smoldering through my speakers. And when I’m in the city and I see the dude under the overpass with the dog-eared cardboard “Anything Helps” sign, I get the story that made his story. I’m not saying I know what to do...but Billboards touting lies, Wegmans trucks with radishes and carrots as big as trees, rail yards without engines, only empty cars— it all falls away. Language, destroyed. What’s left? I don’t know. But I know what’s gone.

So the answer to the question above is a resonant and unqualified “Fuck yeah!” There is a purity here—a filthy, rotten, purity, that can only be conveyed through rock played with a sublime kinda skull and a sublime kinda skill. So take this, get rid of all those discs made by nameless, shirtless, tatted tribesmen in leather pants. Take this, put it alongside what’s left: your Stooges and your SY and your Easy Action Alice and your pre-disco Gang of Four. Take it, dammit!

IDIF’s Destroy Language is for those of us who forgot to die before we got old, and for the few kids who know better. I wonder if Derrida or Habermas or Baudrillard or Nietzsche, or that hilariously annoyingly macho guy at the end of the bar that needs to just come out, already, can hear this?

I think I know...

- Brian Shafer, NOD

credits

released December 13, 2018

Darren DeWispelaere: drums, trumpet, backing vocals, etc.
Chris Reeg: bass, keyboards, backing vocals, etc.
Ian Downey: vocals, guitar, cello, etc.

Recorded by Andrew Graecen at More Sound Studios, Syracuse, NY
LP available from Carbon Records
www.carbonrecords.com/bands/ian-downey-is-famous/destroy-language-pre-order

Album photo by Chris Reeg
Album art by Joe Tunis

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